Works
Coproduction
Myr Academy
Contact
Sculpture, Installation
Metal welding, Wood Working Augmented Reality,
New York, United State
I remember! I, myself, alone, have more memories than all mankind since the world began,’ he said Funes. (1942)
Memory has a tendency to reload the regulations that consist of individual probabilities, complex vectorial forms of the earth, urban or city fragments, interwoven experiences, zig- zag time travels, multiple, heterogeneous and conflicting scenarios extending from nature to culture, even morphological typologies and future estimations as stimulus.
Memory also reshapes all our perceptions in the foresight of experiences and imagination with the desire of making tomorrow possible and reexisting every new day just like the sheltering stimulation of the Otzi proto-human.
Memory transforms just like the immigration of spirits (metamorphosis), dead or alive ghosts, mythological creatures, icons, cues, holy body parts, tragedies, life-dead spiral of Eros and Thanatos, painful and worrying disturbance of established civilizations and is burned just like books with the government’s act of making people forget while exchanging the universe of perfect ideas with other spaces.
Memory decelerates with a cognitive vescular alteration or a social moya-moya just like an artificial neurocognitive pattern by getting clotted just like organisms vibrated by assumptions.
Memory transforms us into both witnesses and victims of predictable inventions with a digital captivity like panopticon as it evolves via digital memory.
As a memory trigger getting into the circulation of social events; memory enables us to solve, recode, represent and expose the ‘political art’, dominant codes and myths toward an augmented reality that could be completed by the real world with digital data.