BLOSSOMS IN THE VOID

Metal welding sculpture, installation.

It always raises the question of what can be compensated by art as a human being in the crisis. According to Adorno's most talked statements “to write poetry after Auschwitz is barbaric” (Adorno 1983: 34). The South African writer J.M. Coetzee analyzes the question, “Can art be an echo of who lost their voice?” “What does the text save?” (The Story of Orpheus and Eurydice in Coetzee and Rilke)

An artist must accept that he may never be able to compensate the crisis and loss of the world, with this an artists work only becomes a way of recording.

Art makes it possible to see and display opposing voices, mutual conflicts simultaneously by using a wide variety of methods and techniques. When any grievance subject being articulated through a, without the credibility of the wronged, without being converted into a humiliation, without reducing the credibility and the suffering. The suffering experienced can be transferred without minimize or aggrandized the crisis.

This responsibility and efforts are artists  humpbacks sometimes.