_{Does art have a voice?
Does art strive to be the voice of those who cannot speak? The artist thinks about the responsibility of the representatives that have fallen silent. Artist tries to be the voice of those who remain silent by taking on social responsibility. Art can turn into an echo by thinking it has a share. Art has the power to manifest a crisis and victimization in all its reality. Doing so can reveal what suffering is without humiliating, making, or exalting emotions.Being tried as a Nazi official in Jerusalem, Adolf Eichmann said,' If you succeed, you will drown the medals, and if you fail, you will lose the gallows." In Crime and Punishment, Dostoyevsky tries to find an answer to a similar question. Raskolnikov said, "I would have been crowned with joy if I had succeeded, but now I am in prison." And he asked," Why is Napoleon not guilty when he spills blood, and I am? "You can have different meanings when you bring these questions together and ask again. All legislators and historical support by upholding their roots through bloodshed will become heroes. Those who fail with the same ideals are seen as traitors. These questions, however, empty the concepts are the answers we are trying to teach.For example, we have seen similar examples in Hollywood war films for many years. In the movies, we applauded the bloodshed of the heroes without seeing the suffering. We were proud of those heroes because they brought our senses to life even though they had nothing to do with us.Despite everything, the destruction of war in some films made it equally visible to all sides. They explain can how horrible war is and the absence of a winner. For example, the 1987 film Stanley Kubrick Full Metal Jacket, the 1988 film Vietnam War Story, at the 1974 film Heart and Minds and more. These movies made us see the natural face of war.The dilemma between the soldiers showed the internal strife of the mercilessness of killing human beings. It shows the inability to be crushed under the gravity of living. In the Thin Red Line, a 1998 film, we hear both sides' suffering from the soldier's inner voice.You are a walking casket/They want to kill you/, Or they want to add to the lies/ The one I am walking with is my brother, my best friend/ From the darkness to light, from hating to loving/ Are they all the same mind / are they the reflections of the same face?One team produces artwork aligned with cultural policies to strengthen its historical roots. In doing so, they can show people living in different parts of the world as uncultured and primitive as they are to prove their power and development. They put themselves in the center and ignore others to make their voices heard as they divide the world east and west.Herbert George Wells becomes the voice of those not seen in the book, The Invisible Man. This book tells the story of a marginalized man who is excluded from society.Wells' books usually have another question that is brought to our attention, "What would you do if something similar happened to you?"This is just a question people who have developed their emotional intelligence, problem-producing, and empath skills can ask. Influential works can present a solution by making visible a crisis that already exists or is likely to live.Indeed, there is almost always a crisis behind powerful artworks. Artistic text from the ideology or the talk of speech is to remain faithful to the situation. Such authentic expressions are required to create creative works. Substantial works only emerge from those who cover up contradictions or dilemmas. On the contrary, those who can face them are among those who can dare to deepen a crisis.As Benjamin says, a new effort must be made in the period to remove the past from the hands of conformism. Otherwise, only today's winners and leaders will decide how to interpret history.Eduardo Galeano, known as a memorizer of South America, has always been on the side of the oppressed and marginalized." I always took the bull's side, not the matador's. "Writing is a method that Galeano showed me how to rise and embrace my voice. He dedicated the book "The Cut Vessels of Latin America" to Obama to see Latin America's stamina.In his book, Galeano asks, "Why is it that man does not write to merge parts of his ego into pieces?""Starting from the moment we enter school or church, education cuts us into pieces; it teaches us to separate the soul from the body, from the brain to the heart." But it is a word created by the fishermen of the Colombian coast, "sentipensante" In other words, "feeling while thinking" has opened the word's meaning."There is no magical way to change it without looking at the truth. This is the real problem in Latin America, and we can't see; we are blind because we are conditioned to look at ourselves through the eyes of others.""The system says one is constantly triggering consumption by what one has. If you do not belong to anything, then you are not anything he says. And I'm writing this. Today is not tomorrow, it is not destiny, and we are not condemned to this future. "He's trying to get us all the memory we've lost. Describes how an injustice at one end of the world will affect the other end of the world.Maybe this is why John Berger gave him the nickname "the conscience of the world." When it comes to the word "conscience," if Tolstoy cannot explain it, who can it be described by? Tolstoy left his mansion and his great novels to translate what he saw as wrong in his life. He finally said he had the wrong life."Is it necessary to live a right life, or will a wrong life be satisfied with the right to live?" Adamo, 'Problems of Moral PhilosophyIs my life the right life? With all the poverty in the world, is it right for me to live comfortably? When others are in poverty, is it possible for me to be happy? After a step, literature itself will be in the range of the problem: Is it true that when the poor peasants worked in the fields for sore tackiness, I could sit at my mansion and tell their story? Tolstoy left not only his mansions; but also his great novels to translate what he saw as wrong in his life. He finally said he had the wrong life.In a letter he wrote last year, his disciple, Chertkov, said he was concerned that he would lose credibility by this contradiction: "Will the contradiction between my writings and my life shake the faith of those who favor me?"This is Tolstoy's. The inconvenience of the absence is not ideal, it is an ideal to be reached, and it has become a purpose in itself: "There is something in the poor that is not in the wealthy." A lack of ethics: If they don't, then I don't. If they don't enjoy it, I shouldn't. Since they can't write, I shouldn't. I want neither my land nor my house nor Anna Karenina."Galeano says we are not writing for people who cannot read, go to school, and cannot afford to buy books—thinking, living, and writing. Why would people spend time writing, reading, and drawing?When we do not understand what is going on, we will read books. It is like this in peace and pain. Fuzuli is someone who has felt extreme pain. He addresses when people are in pain, they must speak about it and blames the poet for lying.The conscious is able to see what no one else can see and can show others what they are not seeing. The real problem has power without conscience.When power is replaced by conscience, conflict occurs, values and memory are rewritten, and as new ones write, they erase their old ones.On the first page of Jean Baudrillard's book, "America," he mentions San Antonio, A place I lived for three years. Downtown had a small historic castle: Alamo Castle. Every year there was a celebration with big festivities. I would watch the Mexican girls swinging their skirts around. Men in tuxedos with wide hats walked by the river with local instruments while singing. Baudrillard would explain, "The ancestors of the Mexicans were violently killed in the castle of El Alamo. Today they came to work by crossing the borders. Their children and grandchildren commemorate and celebrate the salvation of the castle in the same place where their ancestors were murdered.It's one of the best examples of how power transforms memory. However, an artist or a writer can settle and reveal in a way no one has seen it.When I want to present an artist's product, I love to have all the artists come together and speak to each other. Each thinker and artist presents a work of human nature in different parts of the world. We also have the opportunity to touch them without using any barriers. Through art, I present the message of their voices. I make them talkto other agents in my head. It's as if I have introduced two of my different friends and had them having a conversation with each other.And in fact, I think that what we call inspiration is these sounds. Because every artist can hear some ghostly voices.} Frida De Myr, 2010